I’ve been a Sculptor/Visual Artist for over 33 years. I create flowing, dynamic sculptures and paintings that invoke the viewers emotions and imagination. As you will see in this fun project, I love car parts and other fun found objets, and incorporate them into my pieces.
As seen in many of my sculptures in the past few years, I have used some small gears normally found in a car transmission. I have also used some items that are new to me, such as the Creative Paperclay and the Colourarte pigments.
I hope you like it.
You will need the following supplies:
100” – 12 gauge electric wire 3/16” stainless steel rod
1” and 2” masking tape
3 wooden skewers
2 1/2 coil or spring or ring (for the eye) Black Paverpol
Paversand – Black Coarse
Colourarte Artist Pigment
-bolivian blue -african jade -blue bayou
Popsicle sticks for stirring Basting brush 1 1/2” wide Water mister
Items to decorate the base
Brick or other item for the base that can be drilled. Get creative. It just needs to have some weight to it so the sculpture will be stable.
Build your armature using the 12 gauge, rod, skewers, 2 1/2” ring/coil/spring and 1” tape.
40” wire for outer shape, 15” wire for inside curve in body, 15” x 2 for outside tail curls, 13” wire for inside curve in body. Use skewers to add support to armature. Secure all joints as in the photo. (note;under eye, skewers on both sides of rod for added support)
Cover armature with bands of tin foil. ( cut tinfoil into pieces of 4” wide, and fold in 3 parts so that you have a band of approx. 1 1/4”- 1 1/2” wide) Tape each piece well. Leave the eye and the curved section towards the rear open.(as in the final piece). Keep building up the body as thick as you want it, so you don’t feel the wires and skewers beneath. Create clean edges and curves (follow the armature) by smoothing with your hands and taping well.
Reinforce the area around the eye with a band of tinfoil that has been twisted like a rope, and surround the spring with it. Secure everything in place.
Apply the Creative Paperclay to cover and decorate the fin and the tail (not too thin). You can get creative and add decorative details on the fin. I added little spaghetti strands of the clay in a swirl pattern. Let dry. Approx. 24hrs
Paverplast (paverol and paverplast mixture) everything, and twice on the paper clay to reinforce it.
Mix in to the remaining mixture approx. 100ml Paversand (or until mixture thickens and has a gritty texture.) into remaining paste. Mixture should be spreadable, like yoghurt. Apply this to the body of the fish only, with a brush. Let dry, then brush on one coat Paverpol black, to add back the shine.
With the remaining mixture, thicken it up with Paverplast and Paversand, (more sand if you want it grittier) until you have a clay like substance. Roll it out or flatten it with your hands (dust hands and surface with Paverplast so it won’t stick). Apply the flattened clay to the surface of your base to cover it. This allows you to press decorative items into it. Slightly overlap edges of items with the clay to keep them stable on surface of base.
Before painting, remove any product on the surface of the decorative items that doesn’t belong. Add product where needed. (small dips or holes)
Once perfected to your satisfaction, coat one layer of Paverpol black over the clay areas, to add shine.
Add color! Get creative. Dry brush or paint. This is up to you. What I did was dry brush on a dark metallic silver everywhere. Let dry. It’s important to wear protective gloves when using the Colourarte. I misted one side of fish body only and using a popsicle stick, I sprinkled very small amounts of pigment onto the horizontal surface. Then, I turned the surface until the paint dripped the way I wanted it to, adding misted water as needed. Let dry. Repeat other side. Then I did the base the same way. I chose not to glue the rod in the drilled hole in the base. This gives the sculpture dynamic, because the fish can be spun on the base.
If you would like a template of the above project or products and supplies used in this sculpture, contact me at email@example.com.
I offer workshops in the Saint Lazare, Quebec and will soon be offering live classes online.